LUTs for Sony S-Log3
The conversion and the look are both inside the file, so there is nothing to set up first and nothing to fix afterwards. Drop it on and the shot is finished.
FX3, FX6, FX9, FX30, Venice, A7S III, A7 IV, A1 and others recording S-Log3.
What it does to a picture
The same frame, converted two ways.
Plain conversion
PursuitLuts
Shot on a RED. Our files render the same scene the same way on every camera we support, and we measure that rather than claim it. How we check.
What's in the Sony pack
S-Log3 / S-Gamut3.Cine
The usual choice. Easier to grade and what most Sony shooters record.
S-Log3 / S-Gamut3
The wider one, for when the extra colour range matters.
Each format comes in three outputs: Rec.709 Gamma 2.4 for TV and grading monitors, Gamma 2.2 for computer screens and the web, and P3 for cinema projection.
Four looks, all included
Three scenes through each look. Shot on a RED, and every camera's files render them the same way.




The same colours through each look
Every colour, dark on the left to very bright on the right, with a grey ramp along the bottom. It is the quickest way to see what a look actually does.




24 files in the Sony pack: every look, every format, every output.
Set the input to Sony S-Gamut3.Cine or Sony S-Gamut3 with Sony S-Log3. If you are not sure which gamut you shot, S-Gamut3.Cine is the common one.
Both Sony files are in the pack, so you do not have to decide before buying.
PursuitLuts for Sony
$29 one time
24 files, every look included. Instant download, yours to keep.
Shoot more than one camera? All four is $79.
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