LUTs for Sony S-Log3
The conversion and the look are both inside the file, so there is nothing to set up first and nothing to fix afterwards. Drop it on and the shot is finished.
FX3, FX6, FX9, FX30, Venice, A7S III, A7 IV, A1 and others recording S-Log3.
What it does to a picture
The same shot, without and with PursuitLuts.
Without PursuitLuts
PursuitLuts: Film
Our files render the same scene the same way on every camera we support, and we measure that rather than claim it. How we check.
What's in the Sony pack
S-Log3 / S-Gamut3.Cine
The usual choice. Easier to grade and what most Sony shooters record.
S-Log3 / S-Gamut3
The wider one, for when the extra color range matters.
Each format comes in three versions, each in its own folder. Web is for YouTube, social media, laptops and phones, and it's the one most people want. TV is for broadcast and professional monitors. Cinema is for projectors only, not Mac or iPhone screens.
Five looks, all included
Three scenes through each look. Every camera's files render them the same way.
The same colors through each look
Every color, dark on the left to very bright on the right, with a gray ramp along the bottom. It is the quickest way to see what a look actually does.
30 files in the Sony pack: every look, every format, every output.
Set the input to Sony S-Gamut3.Cine or Sony S-Gamut3 with Sony S-Log3. If you are not sure which gamut you shot, S-Gamut3.Cine is the common one.
Both Sony files are in the pack, so you do not have to decide before buying. Verified on real Sony footage. We filmed S-Log3 on an A7R V in both S-Gamut3 and S-Gamut3.Cine, with a color chart in shot, and put it through every look. Measured against the chart's published colors, the conversion lands within 2.5 to 4.3 CIEDE2000 before any correction. One body is not every body, so this says the files are right, not that your camera matches ours.
PursuitLuts for Sony
$29 one time
30 files, every look included. Instant download, yours to keep.
Shoot more than one camera? All five is $79.
Secure checkout by Stripe.
Also available: the same color as a DCTL, $79
The same math, run on every pixel instead of stored on a grid, with the look, the output, strength, exposure and warmth as sliders on the node. Exposure runs in scene light before the look, which is where you want it and where a LUT cannot reach. One file covers TV, web and cinema instead of three.
It does not look better. We measured our 65 point files against the math and the gap is below what anyone can see, which is why we ship 65 point files. Buy this for the controls, not for the color. It needs Resolve Studio, it will not load in the free version, and Golden Hour is not in it because that look is a measured grid rather than a formula. The measurements are here.