LUTs for Canon Log 2 and Log 3
The conversion and the look are both inside the file, so there is nothing to set up first and nothing to fix afterwards. Drop it on and the shot is finished.
C80, C70, C400, C500 Mk II, R5 C, R5, R5 Mark II, R6 and others that record Canon Log 2 or Log 3.
What it does to a picture
The same frame, converted two ways.
Plain conversion
PursuitLuts
Shot on a RED. Our files render the same scene the same way on every camera we support, and we measure that rather than claim it. How we check.
What's in the Canon pack
Canon Log 2 / Cinema Gamut
The flattest Canon curve, for full grading control.
Canon Log 3 / Cinema Gamut
Less range, more contrast, quicker to work with.
Each format comes in three outputs: Rec.709 Gamma 2.4 for TV and grading monitors, Gamma 2.2 for computer screens and the web, and P3 for cinema projection.
Four looks, all included
Three scenes through each look. Shot on a RED, and every camera's files render them the same way.
The same colours through each look
Every colour, dark on the left to very bright on the right, with a grey ramp along the bottom. It is the quickest way to see what a look actually does.
24 files in the Canon pack: every look, every format, every output.
Set the input to Canon Cinema Gamut with Canon Log 2 or Canon Log 3, whichever you shot. They are different curves and the wrong one lands visibly off.
Canon needs care: the published formulas carry a 0.9 factor that Resolve does not apply. We measured that against Resolve and match it, which is worth about 0.15 of a stop. The detail is here.
PursuitLuts for Canon
$29 one time
24 files, every look included. Instant download, yours to keep.
Shoot more than one camera? All four is $79.
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